Published in 2025 (first published 2010)
304 pages
Jo Kyung Ran (this is the author’s preferred Romanization per LTI Korea) is a South Korean writer.
Jo’s work is famous for taking trivial, mundane, and everyday occurrences and delicately describing them in subtle emotional tones.
She made her literary debut in 1996 when her short story “The French Optical” won the Dong-a Ilbo New Writer’s Contest. She is the author of five story collections and three novels. Her novel Tongue was published in English by Bloomsbury in 2009.
Her work has won the Munhakdongne New Writer Award, the Today’s Young Artist Award, The Contemporary Literature Award (for the 2003 novella A Narrow Gate), and the Dong-in Literary Award (2008). Her work has been translated into French, German, Hebrew and English.
What is this book about?
For readers of Han Kang and Sheila Heti, an atmospheric, melancholic novel about a successful sculptor who decides to commit suicide by artfully preparing and deliberately eating a lethal dish of blowfish.
Blowfish is a postmodern novel in four parts, alternating between the respective stories of a female sculptor and a male architect. Death is the motif connecting these parallel lives. The sculptor’s grandmother killed herself by eating poisonous blowfish in front of her husband and child, while the architect’s elder brother leapt to his death from the fifth floor of an apartment building. Now, both protagonists are contemplating their own suicides. The sculptor and architect cross paths once in Seoul, and meet again in Tokyo, while the sculptor is learning to prepare a fatal serving of blowfish.
The narrative loosely approximates a love story, but this is no romance in the normal sense. For the woman, the man is a pitstop on the road to her own suicide. For the man, the woman forestalls death and offers him a final chance. Through the conflicting impressions they have of one another, the characters look back on their lives; it is only the desire to create art that calls them back from death.
Evoking the heterogeneous urban spaces of Seoul and Tokyo, Blowfish delves into the inner life of a woman contemplating her failures in love and art. Jo’s fierce will to write animates the novel; the lethal taste of blowfish, which one cannot help but eat even though one may die in doing so, approximates the inexorable pains of writing a novel.
